Refine your search

The results of your search are listed below alongside the search terms you entered on the previous page. You can refine your search by amending any of the parameters in the form and resubmitting it.

Select all Deselect all Add selection to lightbox
Large Small
Thumbnails per page
Hanoi's Old Quarter lies immediately north of Ho Hoan Kiem lake. It's better known locally as Bam Sau Pho Phuong or the ‘Thirty Six Streets’. 'Phuong' means a trade guild, and most of the streets begin with the word 'hang' meaning merchandise. This ancient section of the city has long been associated with commerce, and it remains very much so today.
Hanoi's Old Quarter lies immediately north of Ho Hoan Kiem lake. It's better known locally as Bam Sau Pho Phuong or the ‘Thirty Six Streets’. 'Phuong' means a trade guild, and most of the streets begin with the word 'hang' meaning merchandise. This ancient section of the city has long been associated with commerce, and it remains very much so today.
Wat Hang Dong วัด หางดง is a typical example of traditional Lan Na temple architecture. The old viharn at this temple is a little more elaborate than its counterpart at nearby Wat Ton Kwen, but is essentially similar in shape, style and appearance. Also dark and intimate, with a low, sweeping, three-tiered roof, the viharn shelters a collection of Buddha images, at least two of which – to the right and left of the main Buddha image – are distinctively Lao in style and yet somehow strangely primitive.<br/><br/> The old viharn at Wat Hang Dong has now been beautifully restored, and a new ubosot has also been added just a few metres to the northwest. This newer structure follows quite faithfully the traditional Lan Na design (the sum of some windows are perhaps over-elaborate and seem to show significant traces of Burmese influence), but overall the new ubosot at Wat Hang Dong both mirrors and complements the old viharn.
Wat Hang Dong วัด หางดง is a typical example of traditional Lan Na temple architecture. The old viharn at this temple is a little more elaborate than its counterpart at nearby Wat Ton Kwen, but is essentially similar in shape, style and appearance. Also dark and intimate, with a low, sweeping, three-tiered roof, the viharn shelters a collection of Buddha images, at least two of which – to the right and left of the main Buddha image – are distinctively Lao in style and yet somehow strangely primitive.<br/><br/> The old viharn at Wat Hang Dong has now been beautifully restored, and a new ubosot has also been added just a few metres to the northwest. This newer structure follows quite faithfully the traditional Lan Na design (the sum of some windows are perhaps over-elaborate and seem to show significant traces of Burmese influence), but overall the new ubosot at Wat Hang Dong both mirrors and complements the old viharn.
Wat Hang Dong วัด หางดง is a typical example of traditional Lan Na temple architecture. The old viharn at this temple is a little more elaborate than its counterpart at nearby Wat Ton Kwen, but is essentially similar in shape, style and appearance. Also dark and intimate, with a low, sweeping, three-tiered roof, the viharn shelters a collection of Buddha images, at least two of which – to the right and left of the main Buddha image – are distinctively Lao in style and yet somehow strangely primitive.<br/><br/> The old viharn at Wat Hang Dong has now been beautifully restored, and a new ubosot has also been added just a few metres to the northwest. This newer structure follows quite faithfully the traditional Lan Na design (the sum of some windows are perhaps over-elaborate and seem to show significant traces of Burmese influence), but overall the new ubosot at Wat Hang Dong both mirrors and complements the old viharn.
Wat Hang Dong วัด หางดง is a typical example of traditional Lan Na temple architecture. The old viharn at this temple is a little more elaborate than its counterpart at nearby Wat Ton Kwen, but is essentially similar in shape, style and appearance. Also dark and intimate, with a low, sweeping, three-tiered roof, the viharn shelters a collection of Buddha images, at least two of which – to the right and left of the main Buddha image – are distinctively Lao in style and yet somehow strangely primitive.<br/><br/> The old viharn at Wat Hang Dong has now been beautifully restored, and a new ubosot has also been added just a few metres to the northwest. This newer structure follows quite faithfully the traditional Lan Na design (the sum of some windows are perhaps over-elaborate and seem to show significant traces of Burmese influence), but overall the new ubosot at Wat Hang Dong both mirrors and complements the old viharn.
Wat Hang Dong วัด หางดง is a typical example of traditional Lan Na temple architecture. The old viharn at this temple is a little more elaborate than its counterpart at nearby Wat Ton Kwen, but is essentially similar in shape, style and appearance. Also dark and intimate, with a low, sweeping, three-tiered roof, the viharn shelters a collection of Buddha images, at least two of which – to the right and left of the main Buddha image – are distinctively Lao in style and yet somehow strangely primitive.<br/><br/> The old viharn at Wat Hang Dong has now been beautifully restored, and a new ubosot has also been added just a few metres to the northwest. This newer structure follows quite faithfully the traditional Lan Na design (the sum of some windows are perhaps over-elaborate and seem to show significant traces of Burmese influence), but overall the new ubosot at Wat Hang Dong both mirrors and complements the old viharn.
Wat Hang Dong วัด หางดง is a typical example of traditional Lan Na temple architecture. The old viharn at this temple is a little more elaborate than its counterpart at nearby Wat Ton Kwen, but is essentially similar in shape, style and appearance. Also dark and intimate, with a low, sweeping, three-tiered roof, the viharn shelters a collection of Buddha images, at least two of which – to the right and left of the main Buddha image – are distinctively Lao in style and yet somehow strangely primitive.<br/><br/> The old viharn at Wat Hang Dong has now been beautifully restored, and a new ubosot has also been added just a few metres to the northwest. This newer structure follows quite faithfully the traditional Lan Na design (the sum of some windows are perhaps over-elaborate and seem to show significant traces of Burmese influence), but overall the new ubosot at Wat Hang Dong both mirrors and complements the old viharn.
Wat Hang Dong วัด หางดง is a typical example of traditional Lan Na temple architecture. The old viharn at this temple is a little more elaborate than its counterpart at nearby Wat Ton Kwen, but is essentially similar in shape, style and appearance. Also dark and intimate, with a low, sweeping, three-tiered roof, the viharn shelters a collection of Buddha images, at least two of which – to the right and left of the main Buddha image – are distinctively Lao in style and yet somehow strangely primitive.<br/><br/> The old viharn at Wat Hang Dong has now been beautifully restored, and a new ubosot has also been added just a few metres to the northwest. This newer structure follows quite faithfully the traditional Lan Na design (the sum of some windows are perhaps over-elaborate and seem to show significant traces of Burmese influence), but overall the new ubosot at Wat Hang Dong both mirrors and complements the old viharn.
Wat Hang Dong วัด หางดง is a typical example of traditional Lan Na temple architecture. The old viharn at this temple is a little more elaborate than its counterpart at nearby Wat Ton Kwen, but is essentially similar in shape, style and appearance. Also dark and intimate, with a low, sweeping, three-tiered roof, the viharn shelters a collection of Buddha images, at least two of which – to the right and left of the main Buddha image – are distinctively Lao in style and yet somehow strangely primitive.<br/><br/> The old viharn at Wat Hang Dong has now been beautifully restored, and a new ubosot has also been added just a few metres to the northwest. This newer structure follows quite faithfully the traditional Lan Na design (the sum of some windows are perhaps over-elaborate and seem to show significant traces of Burmese influence), but overall the new ubosot at Wat Hang Dong both mirrors and complements the old viharn.
Wat Hang Dong วัด หางดง is a typical example of traditional Lan Na temple architecture. The old viharn at this temple is a little more elaborate than its counterpart at nearby Wat Ton Kwen, but is essentially similar in shape, style and appearance. Also dark and intimate, with a low, sweeping, three-tiered roof, the viharn shelters a collection of Buddha images, at least two of which – to the right and left of the main Buddha image – are distinctively Lao in style and yet somehow strangely primitive.<br/><br/> The old viharn at Wat Hang Dong has now been beautifully restored, and a new ubosot has also been added just a few metres to the northwest. This newer structure follows quite faithfully the traditional Lan Na design (the sum of some windows are perhaps over-elaborate and seem to show significant traces of Burmese influence), but overall the new ubosot at Wat Hang Dong both mirrors and complements the old viharn.
Wat Hang Dong วัด หางดง is a typical example of traditional Lan Na temple architecture. The old viharn at this temple is a little more elaborate than its counterpart at nearby Wat Ton Kwen, but is essentially similar in shape, style and appearance. Also dark and intimate, with a low, sweeping, three-tiered roof, the viharn shelters a collection of Buddha images, at least two of which – to the right and left of the main Buddha image – are distinctively Lao in style and yet somehow strangely primitive.<br/><br/> The old viharn at Wat Hang Dong has now been beautifully restored, and a new ubosot has also been added just a few metres to the northwest. This newer structure follows quite faithfully the traditional Lan Na design (the sum of some windows are perhaps over-elaborate and seem to show significant traces of Burmese influence), but overall the new ubosot at Wat Hang Dong both mirrors and complements the old viharn.
Wat Hang Dong วัด หางดง is a typical example of traditional Lan Na temple architecture. The old viharn at this temple is a little more elaborate than its counterpart at nearby Wat Ton Kwen, but is essentially similar in shape, style and appearance. Also dark and intimate, with a low, sweeping, three-tiered roof, the viharn shelters a collection of Buddha images, at least two of which – to the right and left of the main Buddha image – are distinctively Lao in style and yet somehow strangely primitive.<br/><br/> The old viharn at Wat Hang Dong has now been beautifully restored, and a new ubosot has also been added just a few metres to the northwest. This newer structure follows quite faithfully the traditional Lan Na design (the sum of some windows are perhaps over-elaborate and seem to show significant traces of Burmese influence), but overall the new ubosot at Wat Hang Dong both mirrors and complements the old viharn.
Wat Hang Dong วัด หางดง is a typical example of traditional Lan Na temple architecture. The old viharn at this temple is a little more elaborate than its counterpart at nearby Wat Ton Kwen, but is essentially similar in shape, style and appearance. Also dark and intimate, with a low, sweeping, three-tiered roof, the viharn shelters a collection of Buddha images, at least two of which – to the right and left of the main Buddha image – are distinctively Lao in style and yet somehow strangely primitive.<br/><br/> The old viharn at Wat Hang Dong has now been beautifully restored, and a new ubosot has also been added just a few metres to the northwest. This newer structure follows quite faithfully the traditional Lan Na design (the sum of some windows are perhaps over-elaborate and seem to show significant traces of Burmese influence), but overall the new ubosot at Wat Hang Dong both mirrors and complements the old viharn.
Wat Hang Dong วัด หางดง is a typical example of traditional Lan Na temple architecture. The old viharn at this temple is a little more elaborate than its counterpart at nearby Wat Ton Kwen, but is essentially similar in shape, style and appearance. Also dark and intimate, with a low, sweeping, three-tiered roof, the viharn shelters a collection of Buddha images, at least two of which – to the right and left of the main Buddha image – are distinctively Lao in style and yet somehow strangely primitive.<br/><br/> The old viharn at Wat Hang Dong has now been beautifully restored, and a new ubosot has also been added just a few metres to the northwest. This newer structure follows quite faithfully the traditional Lan Na design (the sum of some windows are perhaps over-elaborate and seem to show significant traces of Burmese influence), but overall the new ubosot at Wat Hang Dong both mirrors and complements the old viharn.
Wat Hang Dong วัด หางดง is a typical example of traditional Lan Na temple architecture. The old viharn at this temple is a little more elaborate than its counterpart at nearby Wat Ton Kwen, but is essentially similar in shape, style and appearance. Also dark and intimate, with a low, sweeping, three-tiered roof, the viharn shelters a collection of Buddha images, at least two of which – to the right and left of the main Buddha image – are distinctively Lao in style and yet somehow strangely primitive.<br/><br/> The old viharn at Wat Hang Dong has now been beautifully restored, and a new ubosot has also been added just a few metres to the northwest. This newer structure follows quite faithfully the traditional Lan Na design (the sum of some windows are perhaps over-elaborate and seem to show significant traces of Burmese influence), but overall the new ubosot at Wat Hang Dong both mirrors and complements the old viharn.
Wat Hang Dong วัด หางดง is a typical example of traditional Lan Na temple architecture. The old viharn at this temple is a little more elaborate than its counterpart at nearby Wat Ton Kwen, but is essentially similar in shape, style and appearance. Also dark and intimate, with a low, sweeping, three-tiered roof, the viharn shelters a collection of Buddha images, at least two of which – to the right and left of the main Buddha image – are distinctively Lao in style and yet somehow strangely primitive.<br/><br/> The old viharn at Wat Hang Dong has now been beautifully restored, and a new ubosot has also been added just a few metres to the northwest. This newer structure follows quite faithfully the traditional Lan Na design (the sum of some windows are perhaps over-elaborate and seem to show significant traces of Burmese influence), but overall the new ubosot at Wat Hang Dong both mirrors and complements the old viharn.
Wat Hang Dong วัด หางดง is a typical example of traditional Lan Na temple architecture. The old viharn at this temple is a little more elaborate than its counterpart at nearby Wat Ton Kwen, but is essentially similar in shape, style and appearance. Also dark and intimate, with a low, sweeping, three-tiered roof, the viharn shelters a collection of Buddha images, at least two of which – to the right and left of the main Buddha image – are distinctively Lao in style and yet somehow strangely primitive.<br/><br/> The old viharn at Wat Hang Dong has now been beautifully restored, and a new ubosot has also been added just a few metres to the northwest. This newer structure follows quite faithfully the traditional Lan Na design (the sum of some windows are perhaps over-elaborate and seem to show significant traces of Burmese influence), but overall the new ubosot at Wat Hang Dong both mirrors and complements the old viharn.
Wat Hang Dong วัด หางดง is a typical example of traditional Lan Na temple architecture. The old viharn at this temple is a little more elaborate than its counterpart at nearby Wat Ton Kwen, but is essentially similar in shape, style and appearance. Also dark and intimate, with a low, sweeping, three-tiered roof, the viharn shelters a collection of Buddha images, at least two of which – to the right and left of the main Buddha image – are distinctively Lao in style and yet somehow strangely primitive.<br/><br/> The old viharn at Wat Hang Dong has now been beautifully restored, and a new ubosot has also been added just a few metres to the northwest. This newer structure follows quite faithfully the traditional Lan Na design (the sum of some windows are perhaps over-elaborate and seem to show significant traces of Burmese influence), but overall the new ubosot at Wat Hang Dong both mirrors and complements the old viharn.
Wat Hang Dong วัด หางดง is a typical example of traditional Lan Na temple architecture. The old viharn at this temple is a little more elaborate than its counterpart at nearby Wat Ton Kwen, but is essentially similar in shape, style and appearance. Also dark and intimate, with a low, sweeping, three-tiered roof, the viharn shelters a collection of Buddha images, at least two of which – to the right and left of the main Buddha image – are distinctively Lao in style and yet somehow strangely primitive.<br/><br/> The old viharn at Wat Hang Dong has now been beautifully restored, and a new ubosot has also been added just a few metres to the northwest. This newer structure follows quite faithfully the traditional Lan Na design (the sum of some windows are perhaps over-elaborate and seem to show significant traces of Burmese influence), but overall the new ubosot at Wat Hang Dong both mirrors and complements the old viharn.
Wat Hang Dong วัด หางดง is a typical example of traditional Lan Na temple architecture. The old viharn at this temple is a little more elaborate than its counterpart at nearby Wat Ton Kwen, but is essentially similar in shape, style and appearance. Also dark and intimate, with a low, sweeping, three-tiered roof, the viharn shelters a collection of Buddha images, at least two of which – to the right and left of the main Buddha image – are distinctively Lao in style and yet somehow strangely primitive.<br/><br/> The old viharn at Wat Hang Dong has now been beautifully restored, and a new ubosot has also been added just a few metres to the northwest. This newer structure follows quite faithfully the traditional Lan Na design (the sum of some windows are perhaps over-elaborate and seem to show significant traces of Burmese influence), but overall the new ubosot at Wat Hang Dong both mirrors and complements the old viharn.
Wat Hang Dong วัด หางดง is a typical example of traditional Lan Na temple architecture. The old viharn at this temple is a little more elaborate than its counterpart at nearby Wat Ton Kwen, but is essentially similar in shape, style and appearance. Also dark and intimate, with a low, sweeping, three-tiered roof, the viharn shelters a collection of Buddha images, at least two of which – to the right and left of the main Buddha image – are distinctively Lao in style and yet somehow strangely primitive.<br/><br/> The old viharn at Wat Hang Dong has now been beautifully restored, and a new ubosot has also been added just a few metres to the northwest. This newer structure follows quite faithfully the traditional Lan Na design (the sum of some windows are perhaps over-elaborate and seem to show significant traces of Burmese influence), but overall the new ubosot at Wat Hang Dong both mirrors and complements the old viharn.
Wat Hang Dong วัด หางดง is a typical example of traditional Lan Na temple architecture. The old viharn at this temple is a little more elaborate than its counterpart at nearby Wat Ton Kwen, but is essentially similar in shape, style and appearance. Also dark and intimate, with a low, sweeping, three-tiered roof, the viharn shelters a collection of Buddha images, at least two of which – to the right and left of the main Buddha image – are distinctively Lao in style and yet somehow strangely primitive.<br/><br/> The old viharn at Wat Hang Dong has now been beautifully restored, and a new ubosot has also been added just a few metres to the northwest. This newer structure follows quite faithfully the traditional Lan Na design (the sum of some windows are perhaps over-elaborate and seem to show significant traces of Burmese influence), but overall the new ubosot at Wat Hang Dong both mirrors and complements the old viharn.